I mentioned in my last post, but I figured I’d make some bigger noise about it in it’s own post, but I’ll be at the Stumptown Comics Fest this weekend, sharing a table with my good friend, Breena Bard, né Weiderhoeft. We’ll be at table J-07.
I don’t have any new comics, but I will be selling original pages alongside copies of Americus, the Lorian Gendarme Adventuring Guidebook, some old One of the Johns mini-comics, as well as assorted other original art.
I’ll also have copies of these posters I had printed. One is a huge library scene that I did for an American Library Association donation piece, and the other is some fan art of a bunch of samurai fighting off an army of zombies.
I think that’s it for now! See you this weekend!
So I did a one page comic for the Willamette Week this week about another solution to the much disputed Columbia River Crossing, which is basically the renovation of the bridge from Oregon to Washington.
I originally planned, as an experiment, to attempt to do it completely digitally since I’ve been spending my time the last week or so playing around and experimenting in Photoshop with different techniques. If you’re interested in seeing some of the results of my futzing around, you can check out my Tumblr where I’ve been posting them.
Anyhow, it didn’t last very long – I lettered the comic digitally because there was so much copy that I needed things to be a little cleaner and take up less space so I could have more room to draw. Outside of that, I only got the panel borders done before I realized I just wanted to shift over to my drafting table. I know it’s something that might take some time, and I also don’t really know if it’s something I really want to do. Really, I’m just trying to find a way for me to utilize the digital drawing as a tool, but I don’t know that I want to use it as a crutch.
Oh, and one more announcement: I will be tabling at the Stumptown Comics Fest this weekend, sharing a table with the always awesome, Breena Bard, né Weiderhoeft, at J-07! Come by and say Hi if you’re around this weekend!
I know it’s been a little quiet around here the last month, but that’s because I’ve been busy teaching and making comics! In fact, do you ever check out Tor.com and all their awesome content? If not, now would be a great time because they have a short original comic by MK Reed and myself that we’re both pretty proud about that I just wrapped up.
I’m also wrapping up my second week at my residency at Roosevelt High School where I’m teaching comics through Literary Arts‘ Writers in the Schools program. I’ll probably be posting a progress update on that sometime next week.
But seriously, make sure you head on over to Tor.com and read The Titular Hero. Make sure to comment on it to let them know what you think!
It’s the Year of the Snake! And I guess it has been for like almost two weeks now. Anyhow, I hope it’s treating everyone well. I don’t think I posted it here, but I did my first promo postcard for the event and sent out the first round to magazine art directors. I need to sit down sometime this week and get another batch together to send to publishers and illustration agencies.
And here’s the pencils, if you’re interested in seeing that sort of thing.
I still have lots of postcards available if you would like one. Just leave your mailing address in the comments section, or send me an e-mail.
I also did illustrations for the horoscopes in the Asian Reporter’s special edition. If you’re interested in reading your horoscope for the Year of the Snake, you can check out the AR’s special edition online here.
I did some quick News 1 work for the Willamette Week this week. You can read the article here if you’re interested.
It was pretty fun. There was a little more I wanted to do coloring-wise, like knocking lines out and stuff, but time & amount of money getting paid curbed some of that. It was still pretty fun to draw.
Here’s the color version of that L5R piece from my last post. I’m a little burnt out from coloring, so I’ll probably hold off on coloring the scene from the Farmer’s Market. Plus, I have some comics to be drawing!
All right. This week I’m trying to tackle coloring some of the pieces in my portfolio that have been just black and white up until now. It’s great to see how the pieces come alive with color. The only bummer is that all of these pieces are crowd scenes, so they take FOREVER!
Here’s the first one I’ve finished, which was a donation piece for the ALA conference last summer.
For reference, here’s the two other pieces I need to color.
I’m hoping to have them finished this week so I can put them in my portfolio before any potential art directors that got my postcard look at my website.
It was almost four months ago that my brother Jeremiah passed away. My relationship with Jeremiah changed a lot over the years. When we were kids, we fought all the time and as we got older, we sort of just didn’t really talk to each other. It wasn’t until the last couple of years that we really forged a relationship and realized that despite spending all of our lives thinking we were so different, we actually had so much in common.
Looking back at some of my older work, I noticed that I drew him frequently into the comics I made before I started working on Americus. I didn’t realize the importance of this until looking back through my portfolio now after his passing. Even though we weren’t really close and didn’t really talk during those years, our silence or distance didn’t mean we didn’t love each other.
Here’s the pieces he starred in or had cameos:
He’s also in the story I did for the Popgun anthology, Sucky, Sucky. Here’s a sample page, and you can read the whole thing over at my portfolio page.
And lastly, here’s a piece of the three of us that I did for our Mom a couple of years ago:
I’m hoping at some point I’ll be able to take all the love and memories of him and turn it into something that I can put creative energy into to honor him. Until then, I thought I’d just share these comics where I was thinking about him those years we didn’t speak, even if he never knew.
Love you, ‘Miah. xoxo.
I got some ‘wham-bam-thank-you-ma’am’ work for the Willamette Week this week. [As in, I got it at around noon and it needed to be done by 3:30 the same day].
It was a pretty dry article, and the illustration wasn’t that exciting, but I still had fun because I approached the work in a different way.
Kind of going with the flow of the goofing around I’ve been doing on the computer with coloring and thinking more in shapes, I decided to just pencil the work and not ink it. Then I took it into the computer and used it as a guideline and just made color shapes and cuts like I would normally do when coloring an ink drawing.
Again, is it something that I want to keep doing? I don’t know. But it’s been fun to approach things in a different way. I want to change up and evolve my image-making and style, but I don’t really know how to approach that besides just throwing a bunch of things to the wall and seeing what sticks.
So a week of 2013 has passed, and I feel really good about it so far. I’ve managed to keep myself to a pretty simple schedule that’s basically involved me getting up early, free drawing in my sketchbook for half an hour and then setting out to tackle drawing projects throughout the day.
I’ve drawn more this last week than I have in the last four months. I forgot how good it feels, and how much I need it. How I didn’t realize part of me was missing until my brush and pen were moving again.
I’ve also gotten to experiment with coloring a bit. It’s not really anything drastically different than I was doing before, but I’ve really just been playing around with thinking of shapes and not relying so much on line. It’s been interesting to approach it in a different way.
Anyhow, outside of the doodling and the pieces I can’t share quite yet, I did do some quick character designs for a small project that MK is pitching that I figured I could tease.
Let’s hope I can keep the rhythm and momentum up!